Spinner

Spinner (2019- 2022)

Spinner centres around the idea that the artistic environment has a subjectivity, needs and expressions on its own terms. Shaped by transactional factors, such as time, research space and financial support, the practice has built different milestones to become its own landscape.

Oscillating around the notion of what meaning can be, the work creates vibrating forms and absurd approaches, where it is possible to give and receive meaningful information. Meaning is approached as always communicative and therefore always affective. As a result of collaboration, the space in between is highlighted and consequently materialised; electrically charged with movement, attraction, repulsion, fascination, dreams, desires, misunderstanding and the never ending duty of attending the other. In this electric field lies the quality and aesthetic of a meeting, that expands into the sphere of where the spectator can meet themselves through joining the material with imagination.

Sigrid Stigsdatter and Toni Steffens started their collaboration in 2017 when studying at the School for New Dance Development, in Amsterdam. Throughout the years, they have been created a body of work that researches and deals with the politics of collaboration as a shared encounter. Their choreographic practice tries to evoke a space that can communicate, negotiate and alternate its needs like a self expressing environment. Agency occurs by relating to the other and the environment as a sensitive stranger that has to be re-encountered, memorised or yet to be found out. Topics and questions that materialise out of their universe touch upon themes like synchronicity, friendship, practicing female witness-ship, intimacy, sensuality, memories and nomadism.

Credits:Choreography and performance: Toni Steffens, Sigrid Stigsdatter

Advise: Maciej Sado

Light design: Paulina Prokop

Costume: Ginta Tinte

Set design: Toni Steffens, Sigrid Stigsdatter

Co-produced and supported through Afk Amsterdam, Dansmakers Amsterdam, Bologna C.C.,

8-Athens, critical laboratory for Arts and politics, Veem House for Performance,

New Fears Gallery for dance and performance, Flam festival Amsterdam, Batard Festival Brussels

Booking info:

Length: 40 minutes

Technical info: We are presenting this piece together with out light designer Paulina Prokop. It includes a simple Set Design, that can be transported in a Van. The set up is discussible and adaptive to the conditions of the venue.

Reviews and reflections, documentation:

Flam Festival, Theaterkrant 2022: https://www.theaterkrant.nl/nieuws/flam-2022-weemoedig-stemmende-geesten/
Ivan Cheng, curator of Bologna CC, 2019: https://antoniasteffens.tumblr.com/post/189745978055/november-2019-hosted-by-bologna-cc-ivan-cheng
PDF version of New Fears Issue #1, 2020: https://www.newfears.net/_files/ugd/94abe5_b0a340228e9b4fb8b156b18a21aa2d31.pdf

Thomas Lenden, Flam Festival 2022


Subobjects
Subobjects are subjects which are objectified, either by themselves or by others, or alternatively, they are objects that are highly subjectified, either by themselves or by others. Embracing the nature of dualism, they are fused entities, that can interchange perspective and objective on themselves and on others and enjoy value in both ways of existing.
Subobjects are usually inherited by nature and define themselves through their strong attraction, which human and non human kind may feel towards them, without disclosing their agency and meaning entirely to them. Subobjects can function as comrades, favourite hang our spots, multipurpose antiquities or reminders of various information. Subobjects are usually marked, stained, fractured or otherwise traced by time and communicative even if sometimes a little bit mythical, about their past. 

Weaving Passages for the momentous

An Attendee

Orange Rest/Sacrifice

Spinner

Metamotion for 270degrees

Hope, Test

Night Flying Project

Movement

delineations

Unfamiliarities

DATES/ NEWS

2-3/09/2023: "Line,lo0sing line", Research Presentation at Oldenaller, commissioned by Fransien van der Putt, working with the archive of painter Claartje Berger
3-5/07/2023: Research residency at Oldenaller, commissioned by Fransien van der Putt, working with the archive of painter Claartje Berger
23/06/2023: "THE FATE CAST / IN THE SEARCH / OF FOUR PETALS", during " Even in the dark I know I am sleeping with myself" at Perdu Amsterdam, Collaboration with Mercedes Azpilicueta
24/05/2023: "SPRING WOUNDS" as part of the warp, a shared evening at KUNSTKAPEL, AMSTERDAM
14/04/2023: "ORANGE REST/ SACRIFICE", ATELIERS PACT ZOLLVEREIN, ESSEN
30/03/2023: "WEAVING PASSAGES FOR THE MOMENTOUS", Extra Intra Reader #2 :A SLIGHT BREATH, editors HARRIET FOYSTER, ROSIE HAWARD, NELL SCHWAN, editorial board for  intercurricular Programmes, GERRIT RIETVELD ACADEMY, SAN SERIFFE, AMSTERDAM 2023
10/11/2022:  "HOPE,TEST- A STRATEGY OF PERFORMATIVE MEMORIES", PUBLISHER: 4BID GALLERY AMSTERDAM
SEPTEMBER-OCTOBER 2022: "SPINAL CATASTROPHE" RESEARCH PROJECT, SUPPORTED BY NEUSTART KULTUR, #TAKE HEART, PACT ZOLLVEREIN, BERLIN/AMSTERDAM, RESEARCH
SEPTEMBER-OCTOBER 2022: DRAMATURGY FOR ELVAN TEKIN, TANZFABRIK BERLIN
08/07/2022: "THE FATE CAST / IN THE SEARCH / OF FOUR PETALS", DURING "CHANGE FEELING" , COLLABORATION WITH MERCEDES AZPILICUETA, VANABBE MUSEUM EINDHOVEN  
02+03/07/2022: "ON J0YFUL MILITANCY", PERFORMING FOR MERCEDES AZPILICUETA, ROZENSTRAAT, AMSTERDAM
19/05/2022: "SPINNER" PREMIER AT FLAM FESTIVAL AMSTERDAM
08/05/2022: "AN ATTENDEE" MANDALA FESTIVAL, WROCLAV
14/03-04/04: RESIDENCY AT WORKSPACE BRUSSELS